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a true bonfire of the vanities the ‘idiots’ who buy this stuff use it as money. it has provenance. this current stuff is, of course, almost all total tripe, unlike some earlier ‘modern’
work. much of the earlier work was collected by eye. many of the london galleries are full of the stuff, mostly distinguished by its lack of merit, aesthetics or even of artisan competence. in my view, in due course, most of this stuff will devalue, as people in the art world cease to pretend this stuff is ‘significant’ or even ‘art’ in any meaningful sense. maybe that is already happening. this was a true bonfire of the vanities.
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